Amy Heckerlings post- advanced(a) film, Clueless, appropriates the sempiternal ideas and set presented in Jane Austens Emma, appealing to contemporary audiences. through with(predicate) the appropriation, Heckerling juxtaposes the societies, drawing attention to the differences and at the same cartridge clip, criticising her own society. Heckerling successfully transforms the universal values of marriage, affable hi successionrchy and gender roles, modifying them to campaign a modern audience.\nHeckerling adapts the ordinal century contextual displace of, Emma, to appeal to contemporary audiences. Jane Austens novel Emma is set in the village of Highbury, reflecting the slow-paced lifestyle of her time. The splendour of status and wealth during the era is established through the translation of Emma as, handsome, clever and rich. Clueless, however, underscores the importance of consumerism and materialism, show through the opening montage. The spry camera movements and the soundtrack Kids in the States further emphasise the warm paced consumerist lifestyle of the 20th century. through the contextual transformation of Emma, Heckerling exemplifies the similarities between the two eras: the fundamental values do not change, no matter of the change in context.\n spousal relationship and relationships in Austens time has been altered to cater for modern perspectives on love. In, Emma, marriage was preponderantly based on kind and financial status. This is explored through Mr Eltons desire to only fancify himself by either taking Emma or, if not, try for Miss psyche Else. Furthermore, it was considered unacceptable for a couple on to marry outside of their tender classes. Emmas opposition to Harriets interest in Mr Knightley is spurred on by her belief that it would be unlikely for, a gentleman of first-rate abilities to be appeal by very subscript powers. In addition, she believes that their relationship would be an, ... If you want to get a ful l essay, order it on our website:
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