Automobile and Toyota Company Essay Example for Free

Automobile and Toyota Company Essay 1. Toyota has built a huge manufacturing company that can produce millions of cars each year for a wide variety of consumers. Why was it able to grow so much bigger than any other auto manufacturer? The Toyota Company grow so much bigger than any other auto manufacture because of the act according to preference of the customer Market segment. Toyota Company produce large range of subcompacts to luxury and sports vehicles to SUVs, trucks, minivans, and buses. They segment their product according to need of customer. They create their market segment. They produce Scion car that is target the teenage and it becomes famous among the teenage. 2. Has Toyota done the right thing by manufacturing a car brand for everyone? Why or why not? I think Toyota Company done the right thing by manufacturing a car brand for everyone. They manufacture a really great range of exciting new cars which will open people’s eyes and minds. They analyze what a customer need and develop the same feature automobile in the comparable price. They divide their market segment. In the market there are different people with different perception. Toyota prove they produce wide variety of the auto that will use by different types of customer. They try to develop the auto according to the customer perception. They want to satisfy each customer. The price range of the Toyota Company is lies very expensive to inexpensive. Toyota automobile are in the reach of middle class to high class such that the user of the Toyota automobile are very much higher than other automobile company. Toyota understands that each country defines perfection differently. 3. Did Toyota grow too quickly as Toyota suggested? What should the company do over thenext year, 5 years, or 10 years? How can growing companies avoid quality problems in the future? Toyota Company grows too quickly as their suggested. Toyota is integrating its assembly plants around the world into a single giant network. They do customize on the car according to the need of the customer. Toyota’s need to keep their product’s selection and quality superior to their competition. Toyota company are become one of the successful manufacturing company due to  their consistent quality. They have to maintain their performance quality. Whether they customized the car or develop new model according to customer need they need to maintain same core quality all around the world. They need to maintain reliability on automobile. The same superior quality and dependable should be maintaining. The design of the automobile should be unique and while developing new model design car they need to maintain core material as same. They need to customize regular according to the customer. They need to maintain extraordinary look for each model. Such that it will look very distinctive than competitor. They need to produce high quality and high specific design automobile. They need to give services after the purchasing the product and more ever they have to delivery every item in the time. They need to create more value of automobile by giving some of the discount or either by various services. They need to provide e-support for their customer and they need to update their information through the media. As we know people perfection are different according to the geographic area. A great product by itself is not enough so the Toyota need to advertise themselves according to customer perfection at that place. They need to make market strategy differently in different country. The Toyota Company is giving Guaranteed Auto Protection to their customer. They need to keep it up.

Communication in business and information technology Essay -- essays r

Communication for Business and Information Technology Case Study. OLYMPIA PRODUCTIONS: Introduction: Olympia Productions is in itself a product of five independent entities, combining their resources to create an efficient and effective partnership. The transition from separate businesses to a singular partnership has been a new experience to every part of the partnership. The matter of using a participative or a hierarchical management style has yet to be determined. Management Approaches: Hierarchical: This management style requires leaders to make decisions without consolidations from fellow employees. According to Dwyer (1997), the leader of the group here is the one who announces the decision while all other members follow his/her orders. Dwyer states that this method is more likely to favour the businesses â€Å"interests† far ahead of that of employees. The employers of the previous five independent businesses had implemented this method and since they have been using its for so long, have become accustomed to it. Participative: The participative management method makes it essential for the leader to have an active role in making decisions. Dwyer (1997) recognises, He/She must ask fellow members opinions and ideas in order to achieve maximum output. An opposite result is identified by Dwyer. It has been suggested that the newly formed ‘Olympia Productions’, should consider this style of management. Implementation: Suggestion: Using a Hierarchical management style may have gotten objectives achieved much more timely, but team members have found the leader to be too dominating and therefore as a result: 1.  Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Poor team participation† 2.  Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Low motivation† 3.  Ã‚  Ã‚  Ã‚  Ã‚  and â€Å"Lack of creativity† are the consequences that have arisen as shown by Dwyer. The Participative method ensures that all member are actively involved in the entities operations. Dwyer displays the results as: 1.  Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Shared responsibility† 2.  Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Encourages Self-Esteem† 3.  Ã‚  Ã‚  Ã‚  Ã‚  and â€Å"Job satisfaction† are the benefits of a teamwork orientated management method which promotes easier communication. Dwyer explains both methods thoroughly but uses more positive incites on the participative method. Therefore all managers should be briefed on ... ...d supporting members† 4.  Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Giving feedback† 5.  Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Developing teamwork† 6.  Ã‚  Ã‚  Ã‚  Ã‚  and â€Å"Counselling members† These simple steps outlined by Dwyer, display the encouraged communication in various ways. Management could ask for contributions into developing goals, and make jobs meaningful with rewards and compliments on successful work. Leaders represent fellow staff at meetings and give recognition. This strategy will impact Olympia Productions in a positive manner, as both management and staff receive cooperation and further develop communication. RERERENCES : Dwyer, J. 1997, The business communication handbook, 4th edition, Prentice Hall, Sydney. Crosling, G., & Ward, I. 1999, Graduates, workplace oral communication and undergraduate curriculum, [online], Monash University, Clayton. Jones, G., George, J.M., & Hill, C.W.L. 2000, Contemporary management, 2nd edition, McGraw- Hill Higher Education, Boston. (Technical advances in communication ) Jones, G., George, J.M., & Hill, C.W.L. 2000, Contemporary management, 2nd edition, McGraw- Hill Higher Education, Boston. ( Social responsibility )

Impacts of Punk Culture

Although its origins can be traced back in the late 60's, even earlier, punk culture showed itself in the early 1970s and evolved in time. It seemed to form a distinct youth culture that in turn provoked a media-driven moral panic with certain ideologies, fashion choices, visual arts, dance styles, literature and films cluster around a loud – aggressive genre of music called â€Å"punk rock† and prompted notable cultural change. For decades, the punk culture shaped people's characters, perspectives about life. Even though there were a lot of negative opinions from people (Especially considering the word â€Å"punk† was a slang term used for describing certain groups of youths at the bottom of the social scale) who do not approve the punk culture about how distractive and harmful the ones who live their life dedicated to punk culture. Saying â€Å"Suffused with self-reflexive irony, these punkshave recycled cultural images and fragments for purposes of parody and shockingjuxtaposition, thereby deconstructing the dominant meanings and simulationswhich saturate social space†(Moore, 307) and claim they are a threat for the society. The punk culture has been providing the freedom of self-expression, self-esteem many of the punk culture followers lack of in many areas and bringing them together and show people their capability, the real power they have in life to change the world.Punk culture gave people a type of freedom that supports being an individual. Before people embraced the punk culture expressing opinions that are out of the societies liking were not okay. However, punk culture is mainly based on knowing every individual has a different approach to a topic and supporting to emit these opinions openly, without fear. According to punk culture the first step to be an independed individual requires not accepting everything the society tells you, not following rules they teach you, not listening what the authority says; just use your own mind to guide yourself, use your power to do everything that was normally supposed to be hidden, as society says, to bring to the front, to in front of the society's face. In order to follow that movement, the most prevalent core value in the punk subculture that created itself is Do-It-Yourself (or D.I.Y.). For example, punk music bands adopted the Do-It-Yourself subculture to record their own music, to release their own records, to book their own shows and tours, radically to spread their own ideas with the minimum amount of outside assistance. They made their own merchandise for their fans, sometimes even with the help of their fans. The outgrowth of hardcore punk in the 1980s would not have been possible without D.I.Y. Because no major labels showed interest in punk, punks were forced into creating almost every aspect of the subculture (Moran, 62). D.I.Y. in the punk subculture is often not a choice because of the low economic income of individuals in the subculture. At some point punks had no choice other than not rely on anyone but themselves. To follow the D.I.Y. method, the punk did not have to have the same perspective about world. There were virtually no politics in uniform except for doing it yourself. One of the articles used to create this research gave the example of Screwdriver, a white supremacist band, and Crass, an anarchist punk band, as both being classified as â€Å"punk† bands despite their lack of shared values. Being a participant in the punk subculture suggests that one must be active in the creation and support of other members of the movement (Moran, 63).The fashion sense the punks promotes individual freedom and self – appreciation. The punk fashion, again, is supported by the D.I.Y. method. A lot of clothe items is made, sewed and put together by the person who wears the clothes. Punk was a radical style marked by unconventional combinations of elements and materials and a high shock value. What began as an anti-style aimed at thumbing its nose at the established norms of high fashion ended up having a great deal of influence on the fashions of the late 1970s and beyond (1). The look of punk was basically wearing almost entirely black, pants with holes in them, especially on the knees, which deliberately ripped, composed their outfits mixing, matching, and layering as they saw fit. To have a altered, more individual look was the main key to look punk. Quite often the garments were torn, colored, with the items bought at second-hand or military surplus shops. Black turtlenecks, short leather skirts or tight leather pants or jeans, leather jackets customized with paint, chains, safety pins and metal studs, and heavy leather boots were essential for the look. The clothes were often decorated with obscene or disturbing words and images. What is now called punk is generally dated to 1972 when the British fashion designers Malcolm McLaren (1946–) and Vivienne Westwood (1941–) opened their London boutique, First called Too Fast To Live, Too Young To Die and later renamed Sex, sold a variety of black leather and rubber designs and became a central meeting place for those in the emerging punk music scene (1). Gender based clothing was no longer ideal for them to express their self-image, the idea of â€Å"There is no gender, clothes are just piece of fabric† began to assimilated by the punks and spread to world. Speaking of self-image and expression, re-creating your image other than wearing ‘punk appropriate' clothes were being espoused such as dying natural hair with vibrant hair colors, different haircuts and styles (for example, spiked haircut, achieved by applying large amounts of gel or Vaseline to one's hair and then rubbing talcum powder into it to dry it into spikes that stuck out away from the head, or shaved parts or all of their heads, creating mohawks), doing obscure make-up looks with darkened eyelids and lips for both men and women, piercing multiple body parts, doing tattoos which is considered to be only can own by the prisoners a.k.a. bad guy (which supported punks to provoke the society) and creating new methods and styles for these acts (for example dermal ‘anchors' piercing). Doing all of these punk styles, seeing others to do them too, enabled punks to feel more comfortable and safe in their own skin with the freedom of self-expression.The genre of music punk culture creates helps people to express their emotions. In general, punk rock was a negation of the dominant trends in popular music. It contained attitudes, approaches and subject-matter that had been excluded from the practice of popular music, which by the mid-1970s was more than ever. Punk rock was intensely contradictory. Frequently, the same musician used both progressive and reactionary elements (sometimes even in the same song). The main style of punk rock was fast, loud and aggressive rhythm and used of harsh, very expressive language in lyrics which disturbed many other people due to the political statements they partake. Punk groups have produced songs about unemployment (Career Opportunities, Right To Work), the Notting Hill carnival (White Riot), the monarchy (God Save The Queen) and general expressions of an apocalyptic rebellion (Anarchy In The UK, London's Burning), many of these songs have not been broadcast as a result of formal or covert censorship, it is worth dealing in some detail with the most prominent of them (Laing, 124). The punk performers claimed they were ‘exposing the reality'. Also, again, the usage of the D.I.Y., the records were made quickly and cheaply in small recording studios, manufactured and distributed locally through a company set up by a manager or local entrepreneur, such as a record shop owner, created not perfect copy of the records compared to the earlier music styles that embraced the clean sound of music. However, this imperfect image of punk music represents did not back-fired like the others (anti-punks) assumed. Listeners liked the natural vocal and sound approach. Another approach the punk performers focused on was sexuality, the aggression they present was usually sexual. The Rolling Stones used this approach a lot to their advantage. Another style called â€Å"glamrock† (glamorous rock, named after the fancy, over-the-top style the performers choose) performed by David Bowie, Queen and others was also an influence on this style. The punks support each other's idea, that's why the punk culture created big, worldwide communities. Firstly, studying a punk concert, seeing the communication and relationship between the performers and the audience, also between the audience itself is a very efficient way to choose. Participants perform the carnival rituals of faux violence, and in doing so establish, maintain, and sustain the resident punk community and culture. The activities near the stage give the impression of chaos. Audience participants readily mounted the stage and dove or ran back into the crowd. Band members easily entered and left the audience (HerrMann, 166). Punk rock can be played in concert at either venues or basement shows, aired on radio stations, or recorded to albums or bootlegs for dissemination by the punk wing of the cassette culture. Parties also serve as an important component of a punk scene, providing an event to exchange music and reinforce scene solidarity. Punks mostly interact with one another in their local area, forming a local punk scene. In dozens of countries worldwide, almost all major cities, many medium-sized cities, and a few small towns have such scenes. The worldwide punk community may sometimes be called the punk scene. Another approach to observe the community supported by the punk culture the ideas and acts support equality such as feminism, meaning to support equality between women and men and LGBTQ+ community and understand that they were big steps to enlighten people's minds and change their perspectives. The ones who struggle with their own sexualities and genders were supported by many communities. Of course not everyone was happy with that, but it was just the beginning. Punks were scruffy, dirty in clothing and language, but at the same time with a sense of parody and steeped in irony. The punk culture was a celebration of chaos. Punk was a culture that reflected a consumer-based society moving out of affluence into real economic, social, and political crisis. The Punks intentionally disconnect themselves from the parent culture and represent themselves as inscrutable. The music they created was crude and chaotic. Unlike any previous music-based youth culture, the punks attempted to break down the barriers between performers and audiences. All of these facts had a big role to shape the world we now have.WORKS CITED* HerrMann, Andrew F. Never Mind the Scholar, Here's the Old Punk: Identity, Community, and the Aging Music Fan. In Studies in Symbolic Interaction. 2015.*Laing, Dave. The Sound of Our Time â€Å"Interpreting Punk Rock†. Quadrangle Books, 1970.*Mooran, Ian P. Punk: The Do-It-Yourself Subculture,† Social Sciences Journal. 2010.*Moore, Ryan. Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction, The Communication Review. 2004.*Punk.† Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages. 10 Apr. 2018, www.encyclopedia.com.

Korean War MiG-15 Communist Jet Fighter

In the immediate wake of World War II, the Soviet Union captured a wealth of German jet engine and aeronautical research. Utilizing this, they produced their first practical jet fighter, the MiG-9, in early 1946. While capable, this aircraft lacked the top speed of the standard American jets of the day, such as the P-80 Shooting Star. Though MiG-9 was operational, Russian designers continued to have issues perfecting the German HeS-011 axial-flow jet engine. As a result, airframe designs produced by Artem Mikoyan and Mikhail Gurevichs design bureau began to outpace the ability to produce engines to power them. While the Soviets struggled with developing jet engines, the British had created advanced centrifugal flow engines. In 1946, Soviet aviation minister Mikhail Khrunichev and aircraft designer Alexander Yakovlev approached Premier Joseph Stalin with the suggestion of buying several British jet engines. Though not believing that the British would part with such advanced technology, Stalin gave them permission to contact London. Much to their surprise, the new Labour government of Clement Atlee, which was friendlier towards the Soviets, agreed to the sale of several Rolls-Royce Nene engines along with a licensing agreement for overseas production. Bringing the engines to the Soviet Union, engine designer Vladimir Klimov immediately began reverse-engineering the design. The result was the Klimov RD-45. With the engine issue effectively resolved, the Council of Ministers issued decree #493-192 on April 15, 1947, calling for two prototypes for a new jet fighter. Design time was limited as the decree called for test flights in December. Due to the limited time allowed, designers at MiG elected to use the MiG-9 as a starting point. Modifying the aircraft to include swept wings and a redesigned tail, they soon produced the I-310. Possessing a clean appearance, the I-310 was capable of 650 mph and defeated the Lavochkin La-168 in trials. Re-designated the MiG-15, the first production aircraft flew December 31, 1948. Entering service in 1949, it was given the NATO reporting name Fagot. Principally intended for intercepting American bombers, such as the B-29 Superfortress, the MiG-15 was equipped with two 23 mm cannon and one 37 mm cannon. MiG-15 Operational History The first upgrade to the aircraft came in 1950, with the arrival of the MiG-15bis. While the aircraft contained numerous minor improvements, it also possessed the new Klimov VK-1 engine and external hardpoints for rockets and bombs. Widely exported, the Soviet Union provided the new aircraft to the Peoples Republic of China. First seeing combat at the end of the Chinese Civil War, the MiG-15 was flown by Soviet pilots from the 50th IAD. The aircraft scored its first kill on April 28, 1950, when one downed a Nationalist Chinese P-38 Lightning. With the outbreak of the Korean War in June 1950, the North Koreans began operations flying a variety of piston-engine fighters. These were soon swept from the sky by American jets and B-29 formations began a systematic aerial campaign against the North Koreans. With the Chinese entry into the conflict, the MiG-15 began to appear in the skies over Korea. Quickly proving superior to straight-wing American jets such as the F-80 and F-84 Thunderjet, the MiG-15 temporarily gave the Chinese the advantage in the air and ultimately forced United Nations forces to halt daylight bombing. MiG Alley The MiG-15s arrival compelled the US Air Force to begin deploying the new F-86 Sabre to Korea. Arriving on the scene, the Sabre restored balance to the air war. In comparison, the F-86 could out dive and out turn the MiG-15, but was inferior in rate of climb, ceiling, and acceleration. Though the Sabre was a more stable gun platform, the MiG-15s all-cannon armament was more effective than the American aircrafts six .50 cal. machine guns. In addition, the MiG benefited from the rugged construction typical of Russian aircraft which made it difficult to bring down. The most famous engagements involving the MiG-15 and F-86 occurred over northwestern North Korea in an area known a MiG Alley. In this area, Sabres and MiGs frequently dueled, making it the birthplace of jet vs. jet aerial combat. Throughout the conflict, many MiG-15s were covertly flown by experienced Soviet pilots. When encountering American opposition, these pilots often were evenly matched. As many of the American pilots were veterans of World War II, they tended to have the upper hand when facing MiGs flown by North Korean or Chinese pilots. Later Years Eager to inspect the MiG-15, the United States offered a bounty of $100,000 to any enemy pilot who defected with an aircraft. This offer was taken up by Lieutenant No Kum-Sok who defected on November 21, 1953. At the end of the war, the US Air Force claimed a kill ratio of around 10 to 1 for MiG-Sabre battles. Recent research has challenged this and suggested that the ratio was much lower. In the years after Korea, the MiG-15 equipped many of the Soviet Unions Warsaw Pact allies as well as numerous other countries around the world. Several MiG-15s flew with the Egyptian Air Force during the 1956 Suez Crisis, though their pilots were routinely beaten by the Israelis. The MiG-15 also saw extended service with the Peoples Republic of China under the designation J-2. These Chinese MiGs frequently skirmished with Republic of China aircraft around the Straits of Taiwan during the 1950s. Largely replaced in Soviet service by the MiG-17, the MiG-15 remained in many countries arsenals into the 1970s. Trainer versions of the aircraft continued to fly for another twenty to thirty years with some nations. MiG-15bis Specifications General Length:  33 ft. 2 in.Wingspan:  33 ft. 1 in.Height:  12 ft. 2 in.Wing Area:  221.74  sq. ft.Empty Weight:  7,900 lbs.Crew:  1 Performance Power Plant:  1 Ãâ€" Klimov VK-1 turbojetRange:  745 milesMax Speed:  668 mphCeiling:  50,850 ft. Armament 2 x NR-23 23mm cannons in lower left fuselage1 x Nudelman N-37 37 mm cannon in lower right fuselage2 x 220 lb. bombs, drop tanks, or unguided rockets on underwing hardpoints Selected Sources Warbird Alley: MiG-15Aviation History: MiG-15Military Factory: MiG-15 (Fagot)